Besides being unafraid of writing Xicano with an “X,” Martínez makes other risky choices and stands behind them: hammering the crown of sonnets into prose, examining the problematic term “white,” and–egad!–writing an Abuelita poem: “As a child, my grandmother spoke to santitos with a voice like a chestnut: ruddy and warm, seeds dropping from her mouth. The santitos would take her words into themselves, her voice growing within them like grapevines.”
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