Weekend Eye Candy - Jean Desses, 1955
Gold lamé and fur. What more does a girl need? Cocktail dress and coat by Jean Dessés, Spring 1955.
Photo by Georges Saad.
Gold lamé and fur. What more does a girl need? Cocktail dress and coat by Jean Dessés, Spring 1955.
Photo by Georges Saad.
On the Paris Couture runways for spring of 1961, the favorite look for evening was anything but black. Lots of white and pastel shades were shown, and ethereal floating chiffons in floral prints were also wildly popular. Here are a few evening gowns for your enjoyment.Mme. Grès slim-fitting gown in lime-yellow silk crepe with floating hip-length panels at the front and back.
Jean Patou slim-fitting sleeveless gown of white silk surah with big black polka dots. The matching jacket has black mink fur cuffs.
Jean Dessès silk chiffon evening gown in a yellow, orange, and white floral print. The gown is low-cut and fitted and has a floating wrap that is crossed and wraped at the shoulders.
Pierre Balmain two piece set. The silk marquisette top is covered with gold embroidery, coral beads, and rhinestones. It is worn with a white silk chiffon skirt.
One of the few black dresses for evening 1961 by Jacques Heim. Narrowly pleated black silk chiffon falls from a straight strapless neckline and has a wide black satin sash at the waist.
The evening gown I showed you yesterday was designed at the Jean Dessès atelier in Paris in 1954, but was never actually made by Dessès.
At age 18, Valentino Garavani was hired as an apprentice by Jean Dessès. There, he dressed windows, greeted clients, and did many sketches of ideas for garments. Most of those early sketches were lost.
The Madame Impériale evening gown sketched at Jean Dessès by Valentino Garavani in 1954. More on this gown tomorrow.
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